Showing posts with label Veronica Mars. Show all posts
Showing posts with label Veronica Mars. Show all posts

Saturday, May 19, 2007

Weekend Update

A New Blog Order

Well, as you might have noticed, The Invisibles blog series has concluded. I think it was successful, I learned a lot about the series, and had a lot of fun reading it through again. I was looking up some Invisibles stuff on Google and kept finding my own posts, so hopefully it will stand as a long term resource for people reading through the series. I'm going to make an index page for easy linking. Along with the end of The Invisibles, we're approaching the end of another long term project, the Babylon 5 blog series. I've got two more on Crusade and then one on Legend of the Rangers, then that's over. And, for the first time since November, I'll have no long term blog project. What this means is I can write up more films and general stuff, get back to the way things were before 2007. I know I have some people who haven't read The Invisibles or watched B5, and all I can say is keep the RSS feed, we'll be getting some more stuff of general interest coming up.

Concerts

Part of that will be a lot more concerts. I'll be back in New York starting next week, and have a bunch of shows lined up for the next couple of weeks. I can get into a bunch of shows free due to my Blog Critics writing, so I'll be able to go to even more than I normally would. Here's my upcoming agenda...

5/31 - !!! @ Studio B
6/1 - Cansei de Ser Sexy @ Irving Plaza
6/5 - The Pipettes @ Highline Ballroom
7/1 - The Polyphonic Spree @ Warsaw
7/4 - The New Pornographers @ Battery Park
7/20 - DJ Tiesto @ Hammerstein
8/9 - Daft Punk @ Coney Island

And I'm sure there'll be a bunch more in there as stuff comes up.

Series Enders

Two series that I've blogged about here in the past have come to an end, Gilmore Girls and Veronica Mars, both have fallen from my esteem this season. Veronica never actually had that much of my esteem, I watched the first two seasons on DVD, where they flowed smoothly and had enough momentum to bring me to the conclusion. But, this year I lost track of things and stopped watching around midseason. I have no particular desire to see the rest, and am not sad to see the show cancelled. Honestly, you can't say they didn't give a chance. Any show that makes it to three seasons and doesn't catch on can probably go. And, this isn't a case like Arrested Development where it got awful time slot shuffling. They put it after the highest rated show on the network and it still didn't make it.

As for Gilmore Girls, I've seen through episode 16 of the season, and will likely finish it soon. But, it just doesn't feel like the same show without the Palladinos, and as such, the show I knew ended last season. I'm one of the few people who loved season six of the show, and I'd have loved to see where the Palladinos planned to take things. Oh well, at least the show had a good run. When I do finish it up, I'll write up the last couple and give some reflections on the series as a whole.

Thursday, January 25, 2007

TV Status Report: Winter 2007

One of the things I'm glad to see developing in the world of TV is the split run system, where shows do a run of 10-12 episodes in the fall, take a couple of months off and then come back for a run of 10-12 in the spring. It makes it easier to keep track of when there's a new episode, and also allows the story to flow without interruption for as long as possible. Having caught up on a bunch of stuff on DVD, I'm now watching more shows on a weekly basis than ever before, though the process of natural selection may cause some of these to slip away before the season ends. Anyway, here's an update on what I'm watching.

24 - Due to an excess of Babylon 5 and other stuff, I've only seen the first two hours of the season. They were pretty strong, but I'm more aware of the 24 formula at work. I'm sure I'll get caught up in the season as it goes, but this opening wasn't as riveting as last year's. I've got the next three episodes and will hopefully catch up with them soon.

Battlestar Galactica - It's sometimes frustrating, but no other show on the air now comes close to the experience of watching a new Galactica. The effects just keep getting better, and this last episode did a good job of setting up a bunch of potentially interesting storylines. This is always a Sunday night watch, no waiting.

Friday Night Lights - I haven't seen yesterday's episode yet, but I could see this show going away for a while in February sweeps, so it's no rush. This is still one of the best shows on TV, and the past couple of episodes have done a great job of maintaining the show's quality. No other show feels more real than this one, the camerawork, acting and writing all make it totally believable, and that believability is the key to the show's success. I have the feeling this could be a show like Freaks and Geeks, where it's cancelled after one year, but every actor on the show goes on to success.

Gilmore Girls - I haven't seen Tuesday's episode yet, but I've grown somewhat disenchanted with the show under its new leader. Attachment to the characters keeps me watching, but the storylines just aren't that good, or particularly original, and I'm just waiting for the inevitable Lorelai/Christopher breakup. I have the feeling this is going to be an X-Files situation, where collective consesus will conclude that the last seasons didn't happen.

Heroes - I watched the most recent episode yesterday, and even though the show is technically fantastic, it's still never really hooked me. I think the reason is I just don't care that much about the characters. On a TV show you're pretty much there for the characters, sitcoms are basically about hanging out for a half hour with your fictional friends, and dramas are about watching your fictional friends go through tough times. But, I don't really care what happens to the Heroes people, much like Lost, the appeal of the show is in the shocking revelations rather than logical character development. It's still entertaining, but they're going to have to kick up their game a bit to get me back for the next season. The show is lacking that magic that makes you really care about what happens to the characters.

The Office - I'm through episode 3.7, and even though I still don't think it comes close to its British counterpart, the show is still one of the funniest American sitcoms ever. It's broader than the UK one, and that sometimes hurts them, but much like the last two seasons of Seinfeld, that broadness can also get bigger laughs. It's such an easy show to watch, always entertaining.

Rome - I'm through episode eight of the first season, and am hoping to catch up before episode three of the second season airs. HBO's shows are always a cut above when it comes to production value and ambition. The show manages to make the historical figures lively and accessible, and the emotions always feel real.

Veronica Mars - I wasn't particuarly impressed with the first half of the third season, but there's always just enough of interest to keep me watching. Maybe the lack of an overarching mystery in the last chunk of the year will free them up to do some bolder creative things. If I drop one show, it's most likely to be this one.

Wow, that's a lot of stuff, and I've got Babylon 5 in there as well. But, there's a lot of good shows out there, and once you're hooked, it's hard to back out.

Saturday, December 02, 2006

Veronica Mars: Season Three, Part One

Now that the first mystery of the season is over, it seems like as good a time as any to check in on Veronica Mars. Most shows have a lot of trouble transitioning from high school to college, and I think Veronica has done a smoother job it than Buffy or Gilmore Girls. However, the primary reason for this is that they've made very few changes to the show from the high school years. Everyone that Veronica knows has gone to Hearst, even Weevil is a janitor there. So, other than calling the cafeteria a dining hall, and getting some new antagonists, this is the exact same show it was the previous two years. There's nothing necessarily wrong with that, clearly it was a formula that worked, but at the same time, it feels like the show hasn't grown.

Part of the reason that's difficult is because of Veronica herself. With Buffy, there was real difference between college and high school. Xander never got a job at the college, instead he was left behind, and that was a great choice. When you go to college, everyone you know doesn't follow you, and there are people like Xander, who get left behind. Similarly, Buffy runs into issues with her parental figure, Giles. She has trouble incorporating him into her new worldview, she's outgrowing him, and we don't get that same tension with Veronica and Keith. I think it would have been smarter to not have her live at home, that way there'd be more tension in the relationship, with Veronica working on cases without his knowledge or approval.

The major reason they can't do this is because none of the other characters are complex or developed enough to sustain their own storylines. Xander could easily handle an A storyline, but I don't think the same is true of Wallace. He's given a couple of decent storylines, but generally speaking, he remains the same person he was back in high school, Veronica's sidekick. Ironically, despite being added to the opening credits, Mac has even less screentime. This is a huge mistake, we should be seeing more of how her experience with Beaver affected her, but that's only really touched on in the first episode.

That's symptomatic of a larger problem, which is the show's reluctance to use its history to its advantage. There are references to past episodes, but generally speaking, there is not strong character development over time. Some awful stuff happened at the end of last season, and they should have engaged with that more. Now, a major reason for the reluctance to do so was likely the desire to make it easy for new viewers to watch the show. There's validity to that, but I think it's possible to incorporate arcs that build off of old stuff without requiring the audience to know the exact details of what happened. If you just started watching the show this season, you'd have no concept of Mac as a character, she'd just be Veronica's friend who appears occasionally.

There are similar problems with the new characters. For one, they don't get much screentime, so you don't really know them. I just had to look on IMDB to find Parker's name, which shows how much she's impacted the show. The problem with her is that they set up a specific kind of personality in the first episode, then having her get raped negates all that personality. So, who is she now? That is never really clarified. Piz is the archetypal self deprecating nice guy who cropped up often on Buffy, always as a contrast to her real desire for the bad boy figure. Now, I think Logan is the most interesting character on the show, but with Veronica's morality, there's no real reason that she should be interested in him.

Veronica has a very strict manichean worldview. With her dad's affair, she refuses to consider that it might make him happy. Admittedly, she has seen a lot of these kind of affairs that go wrong, but I feel like she's acting a bit hypocritical when she is dating someone who's been involved in all sorts of bad stuff. With Buffy, it made sense for her to be attracted to Spike because having her drawn to the darkness was a part of her character. We never get that sense with Veronica, when she crosses the line, it's in being utterly cold, there is none of the emotional heat that Buffy had. Veronica's decision to break up with him does make sense, but I'm sure they'll inevitably be drawn back together.

The other major issue I had with this part of the season is with the overall mystery. Now, having your best friend murdered isn't very nice, but I think we're more used to dealing with a whodunit, and it's not as fun to engage in a whorapedher. And, the resolution wasn't particularly exciting. A couple of peripheral characters did it because they could. The resolution of the first mystery was great, and the second season's was solid as well, but this one felt like they just picked a couple of people and had them do it. Plus, I think it's troubling that Veronica has been dosed with GHB so many times. I feel like it's crossing the line from something interesting to a kind of perverse punishment for the character. They've made her so steely that it takes literally being drugged to give her any kind of weakness.

But, there is one element of the show that always works and that's Dick. Every scene he has with Veronica is funny, and a nice counterpoint to her usual seriousness. Logan's also still pretty interesting, though a bit neutered this season. I'm still enjoying the episodes, but the show's not growing, and that's a problem. What did this season's nine episode long rape arc do that wasn't already done in the standalone episode that introduced it last season? Not much. The show needs to commit to giving more development and better arcs to its supporting cast, and challenge Veronica with more than just rape drugs.

Sunday, November 19, 2006

Weekend Update

This Week's Films

I just saw Casino Royale, but I've still got a bunch of films to get to. On Wednesday, The Fountain is finally released. I've been waiting for this film for over five years, and everything I've heard is encouraging. I'm just trying to keep expectations from getting too high. We've also got a new Richard Linklater out. Linklater's work for hire stuff isn't as exciting as an original script, but I'm sure it's still good, and I'll be seeing it next week when I'm back in New York. We've also got new Tony Scott, with Deja Vu. Reviews are indicating that this is a retreat from the insane style of Domino. I'm one of the few people who thinks this is a bad thing, but Domino and Man on Fire were so good, I'll give it a look. I also want to get to Babel, Little Children and Volver.

Uninspired Watching

I still haven't seen last week's Studio 60 or Veronica Mars. Both shows are drifting in my attention. I already dropped Nip/Tuck, though I was intrigued by word of a flash to the future episode. But, S60 and VM are right now at just good enough to keep watching, but a further decrease in quality could knock them out. In terms of retrospective viewing, I've got one more season of Rescue Me to go through, then I'm going to start watching Babylon 5. This is a series I've heard a lot about, and I'm hoping it will live up to the hype. I could really use something Buffy level, I haven't seen a truly great series in a while. I'm worried that I've seen so many the fresh novelty of a really long story is gone. Back with Buffy, I marvelled at the fact that they were able to develop lot threads consistently over so many episodes, but that wonder is gone and now I'm starting to see more patterns between series, the seams behind TV structure in the same way I can see the seams on three act film structure.

New Air Album

This week, Air announced that they've got a new album out in March and will be touring the US in May. I'm excited, I love all three of their previous albums, and I actually think they've gotten better with each one. I'm also really curious to see them live, I was just getting into them when they toured Talkie Walkie, so I've never seen them play. Next year, we'll also get the new Polyphonic Spree album. I'm really looking forward to the songs and to a new tour.

Window in the Skies

I downloaded the new U2 song, Window in the Skies, off their recent singles compilation and it's fantastic. While I loved their 90s experimental period, it's undeniable that they can put together a rock anthem better than anyone else, and this song matches right up with Beautiful Day, Walk On or City of Blinding Lights for anthemic greatness. The track quickly builds to a soaring chorus that's backed by a nice string line. That addition makes it more than the usual U2 song, where that role would be taken by guitars. The song ends with a great call and response song with Bono singing over the previous chorus. It's a really catchy, majestic song and boads well for their upcoming album.

Banners

I've added a few new banners to the site, so hit the refresh button and see what turns up.

Friday, October 13, 2006

Weekend Update

More Inland

Many page views this week for people checking out the Inland Empire reviews. It's cool to see the film before a lot is written about it, I'm not sure how much my thoughts will resemble the critical consesus that eventually develops, but for me, they felt right on this viewing. The film that it most reminds me of, besides Lynch's own stuff, is Mike Figgis' Hotel. Both are shot on DV and explore the line between cinema and reality. I think Inland's much better than Hotel, but if you liked it, definitely give Hotel a look. And for the curious, here's my ranking of all Lynch's films:

Twin Peaks: Fire Walk With Me
Mulholland Dr.
Lost Highway
Inland Empire
Blue Velvet
Eraserhead
Dune
Wild at Heart
The Straight Story
The Elephant Man

Patti Smith

I've been listening to a lot of Patti Smith stuff to preprare for Sunday's show at CBGB's. I feel a bit bad taking a ticket since I'm not a huge fan, and don't have any particular connection to the club. However, I'm liking her stuff more and more, and I'm imagining she'll give it her all for the final show. I'm figuring it'll be at least a two hour set, probably closer to three. My favorite stuff is definitely her 70s work, Horses, Easter and Wave. But, I enjoyed 1997's Peace and Noise as well. I'm not sure where she draws most of her stuff from live, but I'd guess that she'll probably be playing more classics than she would at an average show.

Veronica Mars - 'My Big Fat Greek Rush Week' (3x02)

Mini review for the episode this week. I still find the Keith plot rather convoluted, and the difficulty of figuring out what's going on numbs any emotional impact. The problem is the Fitzpatricks were always treated as one entity, and it's difficult to follow a story that involves them doing seperate things. Veronica's plot was pretty fun, a bit of an Alias Jr. feel, and the show once again questions her moral authority. She sees the world in black and white, and that winds up causing problems when she realizes the sorority isn't all bad. I think a major arc should be really breaking Veronica down, and forcing her to confront the way she lives her life. But, the show doesn't seem to have any interest in exploring that, it comes up occasionally, but is never really developed. Also, I thought they outlawed prison experiments, but that was a pretty fun storyline. It was cool to see not only Samm Levine of Freaks and Geeks, but also Rider Strong of Boy Meets World. He was pretty good, and I could see him as a potential recurring.

I would say the episode was stronger than the first week, but there's still an issue with the fact that the show generally has a pretty light tone, but it's got to deal with this ongoing rape storyline, something you can't really quip about. More than that, I found it odd that Veronica felt so guilty about not checking in with Parker, considering there were no cries for help, what was she supposed to do, turn on the light and say "Everything going okay here?" I suppose it's more just general guilt, but still.

Studio 60 - 'The West Coast Delay' (1x04)

This was a pretty good episode, bringing back a lot of memories of Sportsnight. However, this show just embaresses Sportsnight in terms of visual scope, so I don't mind retreading stuff. I found it odd that Lucy Davis, who played Dawn in the original The Office is playing a character in the writers' room. There's nothing weird about her being on the show, but just the fact that she's such a minor character, and I hadn't heard anything about it at all. I'm hoping she'll get more material later, she's too talented an actress to waste in a really minor position.

Upcoming Dates of Note

10/14 - Marie Antoinette at NYFF
10/15 - Patti Smith at CBGB's
10/25 - Seven Soldiers #1 Released
10/27 - Babel Released
11/22 - The Fountain Released

Thursday, October 05, 2006

Veronica Mars - 'Welcome Wagon' (3x01)

Another series to watch, my schedule's getting a bit too crowded. I'm already a week behind on Nip/Tuck and Weeds, and in the case of Nip/Tuck, I don't know if I'll bother catching up. But, that's beside the point, I'll probably be sticking with Veronica Mars for the long haul, despite this not particularly impressive season premiere.

The show had major ratings problems during its time on UPN, and the pairing with Gilmore Girls gives it a second chance to find an audience. However, I don't think this is the episode that's going to hook new viewers. I think it would have been smart to do some kind of quick summary of the series to date before the show to give people an idea of who these people are. It's impossible to totally catch someone up in one episode, but at least give people the basic dynamic. Maybe it's just my style of viewing, but I don't think I'd have the patience to watch the show if I didn't really know what was going on.

Beyond that, I think the show made some errors in not emphasizing its strengths in the season premiere. The first scene plays up Veronica's arrogance and doesn't make her particularly likable. I think there's a lot of room for exploring that aspect of her character, but the intention of the scene was to engrain her to the audience and even as someone who's watched the show, I found her annoying there.

What does work is the fallout from last season's events. We see all of the characters in a subdued mood, particularly Mac, who's clearly still smarting from what happened with Beaver. On the one hand, it makes for a pretty low key premiere, but I think it's necessary because the end of season two brought forth some really heavy issues. Dick in particular has a potentially interesting arc.

The vast majority of TV shows work because of our attachment to the characters, and interest in where they go. So, I liked the stuff with Veronica's crew, but the rather generic college mystery doesn't work so well. College just doesn't work as a setting for a show, both Buffy and Gilmore Girls stumbled when the lead character went off to college, and they each ultimately decided to move away from college based stories. It seems like Veronica will go the Buffy season four route and try to transfer its previous storytelling structure to college, but I just don't think it will work. One of the cool things about the first couple of years was the way the high school population remained consistent, but with college there's so many people you won't get that sense of community. Also, it becomes a lot more difficult to keep the characters in contact. I'm not sure where it will go, but I don't see this format working for the long term.

That said, next week's episode looks to recapture some of the fun of the show at its best. I have the feeling it will be difficult to balance the show's generally irreverent tone with an extended storyline about a serial rapist. The episode last season that foreshadowed this ran into problems, and I think it's a mistake to hang the whole season on it. I have no problem with shows blending comedy and drama, a show like Buffy could fluctuate from the goofiest comedy to really heavy emotional stuff. But, I feel like rape isn't the sort of thing where you can jump to a goofy bit in the next scene. Maybe they'll pull it off, we'll see.

Thursday, September 07, 2006

Veronica Mars: The Second Season

A while back, I watched the first season of Veronica Mars, which I liked but didn't love. However it was enough to get me to watch season two, a season that solves a lot of the problems I had with the first season, but still has a bunch of issues of its own. I don't think the show has made it to greatness, though it's always entertaining.

The major place that this season improves on the first is in the episode to episode continuity. Back in season one, there was some character development, but the focus of most episodes was on the stand alone mystery of the week, with some development in the Lily Kane case going on in the background. Here we get a lot more subplots and development for the secondary characters, and much like second season Buffy, it becomes a serial show, where there's sometimes a standalone plot as well. Generally speaking, the standalone plots have a thematic tie in to what's going on in Veronica's life.

This season, the overall mystery, the bus crash, was usually a secondary plot element, weaved in to the tapestry of events going on in the characters' lives. On the one hand, this works because less of the season's success is reliant on the progression of the mystery. However, I think the fact that the bus is made up of a bunch of characters we don't know means we can't sympathize with the town's initial sadness at the crash. I do like the way they gradually develop the people on the bus, particularly in the dream sequence heavy episode with Veronica imagining she's on the bus. But, by the point we get to know these people, the initial impact of the event is gone, so we never get an emotional jolt from what happens.

This ends up causing problems when we get to the season finale. Because of the show's structure, we can never get a clear villain. It's a world where everyone's a bit nefarious, but not until the final moments of the season can Veronica have a clear antagonist. This causes a bunch of narrative issues when they try to turn Beaver, the goofy, troubled kid we've known all season, into a dangerous, menacing figure. Because we've been pulled through so many theories and loose ends, the actual revelation of what happened is rather underwhelming. The extent of the investigation seems to reveal that the actual person responsible for the crime doesn't particularly matter, the kids are still dead either way.

So, they have to make Beaver more than just the guy who blew up the bus, and this leads to one of the most uncomfortable plot decisions on the show, to say that Beaver raped Veronica when she was unconscious at the party back before the show started. Technically, this fits with what we've heard before, but it just doesn't make sense with the character we've seen, and it comes across as a really crass attempt to make Beaver come across as a villain. Plus, it just pours the misery on Veronica a bit thick, to think that she was forced into sex by two guys in that one night. Come on, that's a bit excessive.

In the case of this show, it's really the journey more than the resolution that's fun. Some shows are designed to build up to the season finale, most of Buffy or Six Feet Under, each season working as a coherent chapter structured to climax in the last episode. Veronica is like that, except the resolution here just didn't work for me. For one, the piling on of atrocities didn't quite fit with the tone. The Woody Goodman molesting children thing in particular was tough to match with Veronica's quip happy persona.

Because Veronica is such a caustic character, it's difficult to emotionally relate to her, and this means I don't get engaged in her pain in the same way that I did with someone like Buffy. She always remains cynical about things, and that makes it difficult to fit the Woody Goodman stuff, or the episode about the college rapist, into the show's world. I think it's good that they tried to branch out into heavier stuff, but it takes a lot of skill to move between a rape and comedy, and I don't feel like that episode was able to handle it that well. Plus, the Woody Goodman stuff came across as a retread of Mysterious Skin.

However, despite all this, I still really enjoyed the season. It just goes by really smoothly, the cliffhangers make it easy to back to back an episode and I liked a lot of the expanded cast. Dick Casablancas in particular was always hilarious and I'm hoping he'll make it back next season. Charisma Carpenter was interesting, playing someone who's basically Cordelia if she'd never met Buffy. The dialogue was always snappy and I loved the continuation of the Aaron Echols storyline. I just wish he hadn't gotten offed at the end of the season, it'd be great to see him and Veronica continue sparring.

So, this is one of the shows that's always entertaining, a lot of fun to watch, but lacks the intellectual cohesion of a truly great show. I'll still be watching the third season, and hope that the show does get a bigger audience now that it's paired with Gilmore Girls.

Sunday, September 03, 2006

Weekend Update

Back to School

Tomorrow I'm pulling a Rodney Dangerfield and heading back up to school. What does this mean for the future of my web endeavors? Well, for one I'll have a lot more free time to watch movies, and hopefully I'll see a lot of stuff worth writing about. I'll be back on Netflix, so some eclectic stuff will be coming in. While up at school, I'll also be shooting more of All Good Things, as well as kicking off my thesis film. So, it should be a productive time. I've been working all the time this summer so it'll be good to return to the freedom of college.

Veronica Mars

I finished up Veronica Mars season two. I'm planning on doing a review of the whole season soon, but as with Carnivale, this may end up not happening. I had a bunch of issues with the end of the season, a lot of those inherent to the structure of a season long mystery. If you've had twenty-two episodes of buildup, any reveal is going to be a bit disappointing, and in this case, there were so many red herrings, there were a whole bunch of people who could have easily done it. However, the actual episode to episode work on the show was a big improvement over season one and I'll be glad to make a Gilmore Girls/Veronica Mars double feature this season. And side note, I think Lauren Graham on a Sorkin show, guest hosting Studio 60, is brilliant.

Future Plans

With Veronica Mars done, I'm looking to start up a new series. I'll probably Netflix the first discs of Rome and Deadwood, then see what catches my fancy. I'm also planning on watching Babylon 5 soon, though the awful reputation of the first season is not encouraging me. In terms of comics, after I wrap up JLA, I'm planning on doing an in depth reread of From Hell. I first read the book back in May 2003, here's my reaction from back then, and with nearly three and a half years gone, I think it's time to return.

Upcoming Dates of Note
9/22 - Science of Sleep Releated
9/24 - The Flaming Lips at Hammerstein
10/8 - Inland Empire at NYFF
10/20 - Marie Antoinette Released
10/25 - Seven Soldiers #1 Released
11/22 - The Fountain Released

Friday, August 25, 2006

Weekend Update

Kanye Show

I'm looking to pick up tickets for the just announced Kanye West show at the Nokia Theater. I love Kanye's stuff, most rap albums can't sustain the seemingly obligatory 75 minute running time, but both Kanye albums are great listening experiences through and through. Admittedly, rap doesn't translate as well live as rock music, but I'd still like to see him, if the price is right. Plus, Pharrel is there as well, I love his work on N.E.R.D, though I've yet to check out his generally panned solo album.

Veronica Mars

I've started watching Veronica Mars: Season Two on DVD, through the first six episodes. It's a good show, I really enjoy watching it, but I don't think it has the depth of a really great show, like Buffy to which it's frequently compared. That said, the second season is stronger than the first because there's more character continuity. The first season had much more focus on the standalone mystery of the week, while here the standalone mysteries are generally incidental, a way of commenting on the main plot. I'll definitely be watching when the show starts its third season in October.

New Films

The trailer for my new film, All Good Things, is now up online. Head over to the official Respect! Films site to download it, or just watch the Youtube below. I've got one more day of shooting on that film, probably Monday, then I'll be editing it for a release at some point in September. I've also got to get the new workshop film online, that'll be up at some point this week.



Upcoming Events of Note
8/29 - Arrested Development Season 3 on DVD
8/29 - Michel Gondry @ Apple Store
8/29 - Kanye West @ Nokia Theater
8/31 - North @ Trash Bar
9/22 - Science of Sleep Releated
9/24 - The Flaming Lips at Hammerstein
10/20 - Marie Antoinette Released
10/25 - Seven Soldiers #1 Released
11/22 - The Fountain Released
11/22 - The Fountain Released

Saturday, August 19, 2006

Fall TV Season

Summer's been zipping by, which is a bit sad. I'm not looking forward to cold weather and being away from New York. But, it does mean an increase in quality art, both at the cinema and with the new season of TV. This year, I'll be watching more shows than ever before, largely because I watched so much stuff on DVD. After watching a bunch of early seasons on DVD, I'm now ready to watch the new stuff live. Here's the show by show preview of what I'll be watching.

Gilmore Girls

I watched the first five seasons of Gilmore Girls on DVD last year and then caught season six on TV as it aired. If you were reading the blog then, you probably recall the many posts about the series. A lot of people had issues with the dark direction of that season, but I thought it was fantastic, resulting in the show's second best season, behind five. I respect the fact that they took the show in such a challenging direction, forcing the show's main character to confront her lingering issues in the same way that Buffy had to in her show's sixth season. This season will be different because it's the first without show auteurs Amy and Dan Palladino. Will this result in a major tonal change? I'd imagine so, regardless of how good it is, the show is a bit tainted from the fact that it's no longer fulfilling the creator's original vision. It's like fanfic, just with the real cast. However, I'm still psyched to see where things go and I think last season's finale leaves plenty of issues for the new team to deal with.

Battlestar Galactica

I had a lot of issues with season two, but it closed out with the series' best episode (Downloaded)
and a season finale that leaves the show in a great place for the next season. I feel like they had pretty much exhausted the premise by the end of year two, so the jump forward in time is the perfect way to reinvigorate the series. Now, Alias is a show that did the exact same thing, and that was pretty much a freefall in quality after the time jump. However, that's largely because they had lost the show's best character, Irina. Here, the time jump allows for the show's best characters, the cylons, to be better integrated into the general narrative. I don't care about the military stuff, so I'm hoping that we get more focus on Batlar, Six and Sharon. The season three trailer looks fantastic, hopefully the show will live up to it.

Studio 60 on the Sunset Strip

I loved the first few seasons of The West Wing, particularly 'Two Cathedrals,' the season two finale, still one of the best TV episodes ever. The "Brothers in Arms" part at the end is just unbelievable. Anyway, Sorkin may have some repetitive tendencies, but the premise of this show is great and the cast even better. Sorkin's one of those TV auteurs who's been good enough that anything he writes is worth checking out.

Veronica Mars

As I mentioned earlier, I'll be grabbing season two on Tuesday, so I'll be caught up for the new season. The Gilmore Girls/Veronica Mars back to back two hours is going to be quite a night of TV. I'm hoping the show gets a boost from the timeslot and CW, since its previous ratings were ridiculously bad. Because the show is based around standalones, it might play better week to week than in DVD viewing.

Weeds

Weeds is a show that's actually already started. I watched the first season, expecting a lot because it starred one of my favorite actresses, Mary Louise Parker. It was a bit too sitcommy at first, but grew on me and I was liking the show by the end of the season. It's an entertaining half hour with a fantastic cast and some nice moments of actual drama.

Nip/Tuck

I really liked the first season of Nip/Tuck, but the past two have had diminishing returns as they try to up the level of ridiculous outrageousness, losing sight of any sort of character reality. However, they always bring out something to make it worth watching. This season is supposedly a 'return to the core concepts,' which usually means the beginning of the end. We shall see. I might not make it to the end of the season with this show.

Heroes

This is the wild card show. I don't know much about the people who created it, but the premise, basically superheroes start cropping up in the real world is something I'm always interested in. Unbreakable is one of my favorite movies, and if this has a similar approach to the subject matter, it could be great. The premise more specifically reminds me of the comic series Rising Stars, which was great. So, this could be a new favorite, or it could be bad, but I'll give it a couple of episodes regardless.

So, seven shows. That's good because I'm running out of series to go through on DVD. Some of these shows will end in the Fall, but in 2007 I've got the new season of 24 and the final season of The Sopranos coming in to replace them. Of all this stuff, I'm looking forward to The Sopranos the most. The most recent season went off in a really odd direction and I'm curious to see if Chase was just saving the big payoffs for the ending chunk, or if he's really just going to let things glide towards an unconcluisve ending.

Monday, January 23, 2006

Veronica Mars

Over the past few weeks I watched the first season of Veronica Mars. This is a show that's gotten a lot of acclaim, as well as a lot of comparisons to Buffy, even from Joss Whedon himself. In terms of the basic premise it's certainly got a lot of similarities, but going through the season, it became apparent why Buffy is a truly great series, while Veronica is only a good one.

If Buffy is taking typical high school angst and putting it through the lens of a horror film, Veronica does the same but uses the crime fiction genre instead of horror. Both shows feature a blond, perky yet cynical heroine, who used to be in the popular crowd, but was pushed away by her commitment to fighting evil, yet remains conflicted about her decision to exile herself from the easy, happy life of the typical popular high schooler. And ultimately both shows are about showing an empowered girl proving that she can be more than just a pretty face.

Both shows also started out with a case of the week format, where some new problem arises, usually from a person at the school, and then is resolved by the time the hour ends. The thing is, Buffy quickly abandoned this format, recognizing its limitations and by the second season, became a serial. Veronica has some serial elements, but remains fairly strictly tied to its case of the week format, the case is always resolved within the hour and though there are some characters who return and build, the majority of them don't factor in later.

This limits the show because it means that Veronica will always succeed. She always ends up solving the case, and her father is there to stop her from getting in any real danger. Giles filled that role to some extent in Buffy, but he wasn't as strong a fighter as her, so things ultimately fell to her, whereas Veronica has a safety net. When Chris Claremont took over X-Men, he depowered Professor X, because in the original series, any really dire problem could always be solved by Xavier coming in and using his mental powers to save the day. It's not quite the same with Keith Mars, but one of the problems with the series is you never get the sense that Veronica is in any real danger. One of the reasons the season finale was so effective was because both Veronica and Keith were no longer above everyone else, they were actually in danger.

Now, having Veronica in mortal danger from every case obviously wouldn't work, but I'd like to see some more negative consequences for Veronica herself. One of the interesting things about the series is the way that Veronica semes to leave many lives destroyed in her wake, but she'll still never compormise her morality. It's a very strict moral line, most evident in the episode with the popsicle video. She feels like taking revenge on this guy is something that has to be done, she can't consider that maybe ruining this guy's life won't actually help Sabrina, it will only lead to a cycle of escalating traumas for all involved.

So, even as I admire the show for making the protagonist make the tough decision, I wonder how they feel about what she's doing. At times, Veronica seemed almost like a mary sue in the way that the creators make him this super-detective, who can simultaneously work as a near full time detective and still be one of the top five students at her school. Obviously, being a detective show, part of the fun is seeing her solve the crime and take down the criminal, but here she was so good, so far ahead of the criminals, that it seemed a bit beyond belief. I would have liked to see an episode end without her solving the case.

I feel like the show is building up to a moment where Veronica breaks down and really questions whether or not it's worth it to be so cold and calculating in her relations with people. While she does let some people in, other than a select few, she seems to view everyone else as a pawn for her to maniuplate. Eventually, she'll use someone in the wrong way, and not be able to keep her cynical cool about everything, and it'll all come crashing down.

Now, it's sort of difficult to assess the show in comparison to something like Buffy, because if you were to take the first twenty-two episodes of Buffy, it'd be a good show, but not great. It wasn't until Surprise/Innocence that Buffy really took off, and Veronica may make a similar jump in its next season, and fix some of the problems that I mention.

However, I think the show is trying to do something different than most of the shows I really like. Buffy or Six Feet Under are shows that become almost exclusively about character, the plots exist to move the characters into different situations that will expose new parts of their psyche. Veronica is a much more plot driven show, there's some character development, but it's primarily about the progression of each episode's narrative, as well as the overall mystery arc.

The overall mystery arc was entertaining, but in some respects, the show has the same problem as Lost, in that so much of the show is about revealing what happened in the past, that things don't particularly move forward in the present. This is more noticable on Lost, where the flashbacks feel completely disconnected from the main narrative progress, on Veronica it's done better, but I can't help but wonder what the show would have been like if it started with Veronica's life in the popular crew, and then proceeded to show all the stuff that happened in flashback as the first season of the show.

The problem with that would be the show wouldn't really have a status quo. People who tuned in to watch a show about a bunch of wealthy popular kids probably wouldn't be as interested in a show about a girl who investigates murders, but that's one of the problems with episodic television. There's been more a move towards thinking of the entire series as one piece, rather than just a bunch of episodes, but there's still the need for some kind of status quo. So, even though watching everything from the flashbacks unfold over the course of a season would be riveting and surprising, it wouldn't provide viewers with any sort of stable order. Yet, watching it now, you get the sense that the really interesting stuff happened in the past, and though we see pieces of it, we don't have the sense of discovery that would have been possible.

Most of the episodes were really well done, and they came up with a nice variety of cases for her to cover. However, there weren't that many really standout episodes. However, by far the best two that they did were the last two. The episode in which she tries to piece together what happens the night that she was raped was really powerful, and in those flashbacks you saw Veronica's past like she did, wondering how she could behave like that. It works both as Veronica interrogating herself in terms of being drugged up, but also in terms of Veronica interrogating the old version of herself, the popular girl living a normal life. The alien behavior that she is unable to comprehend is a consequence of both.

At the end of that episode, I was like "damn" because they had revealed that Veronica was not only dating her brother, but in fact had had sex with him. Six Feet Under flirted with it, but never went there, but Veronica had done it and I was very impressed. It was a great twist and the scene where Duncan reveals what he had done was probably the best of the series.

So, I was a bit disappointed when we find out in the next episode that they aren't actually brother and sister. It feels like Jean's ressurection, you could say that the original power of the scene is intact, because they believe it at the time, but it's in fact very dulled. I can understand not wanting to go down the road, and I figured they wouldn't, but it was precisely that subversion of expectations that made it so powerful.

However, other than that, the end of the season was great. Aaron being the murderer was a great twist, and I really liked the way they revealed it. Throughout the whole season, he's been struggling to keep his family together, even as his actions sabotage this, and murdering Lily was the ultimate extension of this. He presumably justifies the murder to himself by saying that he had to do it or else his family would be ruined by the revelation he was sleeping with Lily, and this empowers him to do something criminal and vile. So, he brings about his own destruction, and having him be the murderer works better than having anyone else be it.

So, I think it's a successful series on the whole, with the potential to be great. I'll definitely be checking out season two down the line.